Samyang 135mm f/1.8 - Super Light Mega Bokeh
Modern 135mm f/1.8 AF lenses have impressive image quality & AF considering the sheer size of their 'Entrance Pupil'. (that is: How big the max aperture appears through the front of the lens): This massive 75mm* diameter entrance pupil lets in over three times as much light as a 50mm f/1.2 lens. They're great in low-light and provide impressive subject isolation. They just tend to be big, heavy and expensive while retaining high image quality. However, recent advancements in engineering have enabled manufacturers to perform relative miracles in those regards. Samyang's AF 135mm f/1.8 FE is perhaps one the most impressive at doing all three! Weighing only 772g (1.7 lbs), its lighter than the Sony's 85GM, while far out-performing it on image quality, subject isolation and cost.
* 75mm is about as big as they get before focal length, size, weight and cost skyrocket!
Before showing the shallow DoF examples, here's an f/6.3 distant shot. I suggest viewing this on a large 4k monitor if you can...
Sony A1 - 1/320th | f/6.3 | iso 100
Fast 135mm AF Lenses
Nikon's novelty 'Defocus Control' 135mm (1995) was the first f/2.0 AF lens, but only a year later Canon's 135mm f/2.0 L USM showed everyone how sharp these fast lenses could be and they held the crown for over 20 years. Since they were late to the auto focus lens party neither got a redesign (and likely never will on DSLR), but other manufacturers were about to shake things up...
In 2007 Zeiss built the first f/1.8 135mm (for the Sony Alpha DSLRs). With Sony's first full frame DSLR (A900) a year later, the combo was impressive, but it weighed a hefty 1,950g (4.3 lbs). Some say that the optical performance was good, not great, but the rendering sure was pretty! For another decade nobody else tried to make a fast 135mm lens. Could this have been just too fast to perform well?...
In 2017 Sigma proved that theory wrong. They set a new standard for optical performance with their 135mm f/1.8 DG Art (DSLR lens) and right from the widest aperture. It was still heavy, but most people agreed that the quality was simply worth it.
Then in 2019 Sony would make the first mirrorless design, with the 135GM. Keeping the performance, but dropping the weight to under one kilogram (2.2 lbs). Within the last two years, three more companies have joined the party, with more planned (Viltrox)... Fast 135mm lenses were a rare thing, but they're now everywhere on mirrorless.
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2007 - Zeiss A - 1,210g (2.67 lbs)
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2017 - Sigma - 1,255g (2.65 lbs)
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2019 - Sony FE - 950g (2.09 lbs)
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2022 - Samyang FE - 772g (1.7 lbs)
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2023 - Canon RF - 935g (2.06 lbs)
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2024 - Nikon Z - 995g (2.19 lbs)
I was extremely impressed by the Sigma 135mm f/1.8 Art, but its 1,933g (4.26 lbs) weight with the Sony A9 meant I often chose something else instead. A few years later I upgraded to the Sony 135GM lens, which took the weight down to a more manageable and much better balanced 1,623g (3.58 lbs). Then in 2022 Samyang brought out a version that would drop the total weight down to 1,445g (3.19 lbs). Now that this lens is almost as light (or lighter) than an 85mm f/1.4 I choose the 135mm all the time. For me, shooting friendly wildlife, this is a much more versatile focal length, especially considering the relatively short minimum focus distance. At less than half the price of the Sony 135GM; Could this lens actually be any good though?...
1/160th | f/2.0 | iso 320
Image Quality
After reviewing the first few photos taken from the Samyang, I was blown away. Image quality is razor sharp from wide open and right into the corners (just like the Sony 135GM). Another similarity to the Sony lens is the minimum focus distance (69cm / 27 inches). This close focus combined with the extremely high image quality makes it a great option for wildlife, products and even moderate macros (as well as portraits and landscapes). Small animals like mice can pretty much fill the frame and its fast enough to capture them with limited forest floor lighting too.
I can imagine many considering a fast 135mm lens like this and choosing something like the Sony FE 70-200mm f/2.8 GM II instead, due to the versatility of a zoom. I see it the other way around however. The Samyang is lighter still, a tiny fraction of the cost (£2,500) and over a stop faster. On this camera (A1) I can crop to 23mp for a 200mm f/2.7 equivalent, or 11mp for a 300mm f/4 equivalent. If you think that resolution doesn't sound enough, note the above image is only 0.5mp, or check out the 1mp images at the end of this page. If you're prepared to stitch just 9 images together from the Samyang you can get a 200mp 70mm f/0.93 result (see Bokeh Pano section below). That's significantly better image quality, three stops faster than the 70-200mm lens and for one quarter of the price!
f/2.0 | 1/640th | iso 10,000
Build
Unfortunately I got a chance to test the build quality. I had put the camera (with the Samyang 135mm) back in my bag, but stupidly forgot to close it. As I was walking along an asphalt path the camera fell out of my backpack and bounced off the ground. The lens hood and cap took the brunt of the impact and although it cracked in a few places it held together well enough that it still works fine. It still clicks into place (both ways). The lens looks unharmed and works flawlessly. The camera (A1) got a small scrape near the card door, but is also otherwise fine. Considering the impact I expected the lens to be totalled, but to my surprise it was largely unharmed. It's just one anecdotal experience of course and perhaps I was quite lucky, but I think the low weight of both camera and lens helped with the build quality. Anyway, wanted to share this story as not many people will be careless enough to find this out.
Bokeh Panos
This focal length can feel a bit restrictive, so if you want a winder angle with the dreamy shalllow depth of field you can use the bokeh panoramas technique (A.K.A. "Brenizer Method"). Just shoot a bunch of images with locked settings and stitch them together. I have been shooting these for 15 years now, they're much easier to shoot on mirrorless cameras, with lighter lenses like this.
Bokeh Panos: between 40 -100 images each
Equivalent: 26mm f/0.35 - 34mm f/0.46
Holding this lens up (with the Sony A1) and shooting 100+ images (without a tripod) really made me appreciate the lower weight. I remember shooting the technique with the Sigma version a few years ago and my arms would really start to hurt towards the end of longer batches. 400g (14oz) might not sound like a huge weight saving, but here I get no pain at all. Even compared to the Sony lens the weight savings are more modest, but still noticeable. By the end of a day I had noticeably less shoulder strain from the bag too.
Compared
The length, shape and size of these two Sony FE mount lenses is very close. I initially wondered whether the Samyang might be a clone of Sony's optical design too, but diving through the specs online suggests this is not the case.
Total Weight
Mirrorless cameras can be quite a bit lighter than DSLR's, but that advantage can disappear once you add a lens. This is especially true with fast and very high quality optics, but some are managing to make lighter lenses while retaining very high image quality. Here are some total weights for these 135mm f/1.8 lenses including a full frame camera:
Nikon FF camera + Nikon Z 135mm f/1.8:
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Low - Nikon Z5 - 1,670g (3.68 lbs)
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Mid - Nikon Z6II - 1,700g (3.74 lbs)
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High - Nikon Z8 - 1,905g (4.2 lbs)
Nikon didn't really get the memo that mirrorless cameras can be light. It wouldn't be so bad if their battery life didn't suck so badly, but they make up for it somewhat with decent features. This is especially true of their Z8 model. Which is a great camera, but it's heavier than most DLSRs and it's not even their pro sized body... ouch!!
Canon FF camera + Canon RF 135mm f/1.8 L IS USM:
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Low - Canon R8 - 1,396g (3.07 lbs)
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Mid - Canon R6II - 1,605g (3.53 lbs)
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High - Canon R5 - 1,673g (3.69 lbs)
Canon now have some nice and light mirrorless cameras. Although their lightest full frame one doesn't have stabilization, the lens does, so it scrapes through the minimum requirements here. On the high-end there is no stacked high resolution option yet, but the R5 is still a great pro mirrorless option. It's as light Nikon's lowest end camera with 135mm lens, which is really impressive.
Sony FF camera + Samyang FE 135mm f/1.8:
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Vid - Sony ZV-E1 - 1,255g (2.77 lbs)
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Low - Sony A7C - 1,281g (2.82 lbs)
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Mid - Sony A7IV - 1,431g (3.15 lbs)
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High - Sony A1 - 1,509g (3.33 lbs)
Panasonic don't have a mirrorless 135mm f/1.8 option. Although there is a L mount version of the Sigma DSLR lens a combo with the S5 II X would weigh: 1,960g (4.32 lbs). That's more than many DSLR options, but is mostly the fault of the DSLR lens.
If this sea of numbers is overwhelming to you too, perhaps you'll appreciate it in graph form, with some DSLR comparisons...
Sony mirrorless cameras are pretty light for what they are, but the main advantage they have on this comparis